Padduppa dance / tari Padduppa BSDK (gladi)

Tari Paddupa merupakan tari tradisional Bugis Makassar yang ditujukan untuk memberikan sambutan kepada tamu atau pejabat yang hadir dalam suatu acara. 

Tari Paddupa adalah perwujudan cipta rasa dan karsa suku Bugis Makassar yang melambangkan penghormatan, keterbukaan terhadap perkembangn zaman akan tetapi tetap memelihara adat kesopanan sebagai suku Bugis Makassar.

Tari Paddupa dibawakan oleh gadis-gadis cantik dengan iringan musik tradisional Bugis Makassar

berikut adalah video tari paduppa:

TariAn Merak (Peacock Dance)

Merak yaitu binatang sebesar  ayam, bulunya halus dan di kepalanya memiliki seperti mahkota Kehidupan merak yang selalu mengembangkan bulu ekornya agar menarik burung merak wanita menginspirasikan R. Tjetje Somantri untuk membuat tari Merak ini.
Dalam pertunjukannya, ciri bahwa itu adalah terlihat dari pakaian yang dipakai penarinya memiliki motif seperti bulu merak. Kain dan bajunya menggambarkan bentuk dan warna bulu-bulu merak; hijau biru dan/atau hitam Ditambah lagi sepasang sayapnya yang melukiskan sayapnya atau ekor merak yang sedang dikembangkan. Gambaran  akan merak jelas dengan memakai mahkota yang dipasang di kepala setiap penarinya. 
tarian ini biasanya ditarikan berbarengan, biasanya tiga penari atau bisa juga lebih yang masing-masing memiliki fungsi sebagai wanita dan laki-lakinya. Iringan lagu gendingnya yaitu lagu Macan Ucul. Dalam adegan gerakan tertentu terkadang waditra bonang dipukul di bagian kanyunya yang sangat keras sampai terdengar kencang, itu merupakan bagian gerakan sepasang merak yang sedang bermesraan.
Dari sekian banyaknya tarian yang diciptakan oleh Raden Tjetje Somantri, mungkin tari Merak ini merupakan tari yang terkenal di Indonesia dan luar negeri. Tidak heran kalau seniman bali juga, diantaranya mahasiswa denpasar menciptakan tari Manuk Rawa yang konsep dan gerakannya hampir mirip dengan tari Merak.

Bosara dance is a dance that illustrates that the Bugis ifbosara always serve guests arrival , as a sign of gratitude to godand honor . In ancient times the dance is often danced to entertain the king , welcomed the distinguished visitor , traditional parties , and weddings . The dance moves are very flexible so good to look at .Bosara itself is a typical plate tribal Bugis -Makassar in South Sulawesi . Bosara basic materials derived from iron and equipped with typical cover such a large finger bowl , wrapped in brightly colored cloth , such as red, blue , green or yellow , which was given a golden flower ornaments around it . Bosara usually placed on a table in a particular series of events , especially events that are loaded with traditional and cultural values ​​.Besides being used as a tool used by the dancer dances , bosara also served as a dish of traditional cakes are placed on the table at the official ceremony as a symbol of indigenous South Sulawesi administration , especially on special occasions such as weddings sacred custom .

Bodo clothes are traditional women's clothing Bugis Makassar, Sulawesi, Indonesia. Bodo clothes rectangular, usually short sleeved, which is half the arm above the elbow. Baju bodo also recognized as one of the world's oldest fashion.
According to custom Bugis, every color of clothes worn by women are guy Bugis indicate the age or the dignity of the wearer.

Clothing is often used for custom events such as wedding ceremonies. But now, the clothes are guy started to be revitalized through other events such as dancing contest or a grand welcome.

Saman dance is a tribal dance Gayo ( Gayo Lues ) are commonly displayed to celebrate important events in custom . Saman dance uses poetry in the Gayo language . Besides this dance usually also displayed to celebrate the birth of Prophet Muhammad . In some literature mentions Saman in Aceh was founded and developed by Sheikh Saman , a scholar who comes from the Gayo in Aceh Tenggara . Saman Dance designated as a UNESCO Representative List of Intangible Cultural Heritage of Man in the 6th Session of the Intergovernmental Committee for the Protection of UNESCO Cultural Heritage No object in Bali ,
In general , saman dance played by a dozen or dozens of men , but the amount should be ganjil.Pendapat Others say dance is danced less than 10 people , with details of 8 dancers and 2 as cue givers while bernyanyi.Namun , in the development of in the modern era which requires that a dance would be more lively when danced by dancers with higher numbers . To set the various movements instituted a leader who called sheikh . In addition to regulating the movement of the dancers , Sheikh is also tasked sing song poems saman . ie ganit .

rumah adat

custom home on South Sulawesi
Tongkonan is a traditional house Toraja society . The roof is curved to resemble a boat , consisting of bamboo structure ( currently partially tongkonan using tin roof ) . On the front there is a row of buffalo horn . The inside of the room used as a bed and a kitchen . Tongkonan usedas well as a place to store the bodies . Tongkonan derived from the word tongkon ( meaning sit together) . Tongkonan divided by level or role in society ( social stara Toraja Society ) . In front there tongkonan granary , called ' grass ' . Poles granary is made from the trunk of a palm tree ( banga ) is currently partly already casted . At the front of the barn there is a variety of carvings , including a picture of chicken and sun ( called pa'bare ' allo ) , which is a symbol to complete the case .Particularly in Sillanan - Pemanukan ( Tallu Lembangna ) known as Ma'duangtondok there is Tongkonan tongkonan Karua ( eight home tongkonan ) and Tongkonan A'pa ' ( four home tongkonan ) that play a role in the surrounding community .
Karua Tongkonan consists of :

    Tongkonan Pangrapa ' ( Kabarasan )
    Tongkonan Sangtanete Jioan
    Tongkonan nosu ( To intoi masakka'na )
    Tongkonan Sissarean
    Tongkonan Karampa ' Panglawa desert
    Tongkonan Tomentaun
    Tongkonan To'lo'le Jaoan
    Tongkonan To Barana '
Tongkonan A'pa ' consists of :

    Tongkonan Peanna Sangka '
    Tongkonan To'induk
    Tongkonan Karorrong
    Tongkonan Tondok Bangla ' ( Pemanukan )
Many traditional houses in Sillanan tongkonan it is said , but according to local people , that is to say tongkonan only 12 as noted above . Other custom home banua pa'rapuan . Tongkonan said in Sillanan are custom homes where derivatives play a role in the indigenous population. Descendants of tongkonan describe the social strata of society in Sillanan . Example Tongkonan Pangrapa ' ( Kabarasan ) / government authorities . If there are people who died and were deducted two buffaloes , a buffalo 's head was brought to Tongkonan Pangrapa ' to be divided derivatives .
Stara Sillanan social communities in the top three levels, namely :

    Ma'dika ( blood blue / royal line ) ;
    To macaques ( the free / free ) ;
    KAUNAN ( slaves ) , slaves are further divided into 3 levels .

History Kabarasan :
At first Kabarasan held by Tintribuntu domiciled in andes Lalanan ( andes custom homes west ) . Her son then Tintribuntu namely Tome mating with children of Tongkonan Sangtanete Jioan ( Tongkonan Sangtanete east ) . Until maintained by Paara Pong ' in Sangtanete Jioan . After Pong Paara ' death (no children ) , finally emerging brave of Prayer ' ( traditional house of prayer ' ) is So'Padidi ( aka Pong Arruan ) . Kabarasan dipindahkann to Prayer ' . Weak power in Prayer ' after So ' Padidi died , because all children are 3 women , so it appears that says that the ruse can be deducted buffalo 3 tails . Because buffalo sacrificed minimum is 4 , then Prayer ' considered incapable of holding power . Finally brought to Tonngkonan Boroalla Pangrapa ' , until now .